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The Odeon Cinema in Nottingham first opened 1933
as the Ritz, it was designed and built for County Cinemas which
also owned a chain of 29 other cinemas at the time. The cinema
was built by the architectural partnership of Verity and
Beverley
who were popular cinema architects in the pre war years they, completed
a total of 17 cinemas during 1930's. To oversee the construction
of the Nottingham Ritz a
local architect Albert J. Thraves was hired to assist the main
architects. The cinema was constructed on
a site stretching between Angel Row a popular shopping street and
Maid Marion Way at its rear. Its narrow frontage on Angel Row
disguised a large
auditorium building hidden from the street. As with many cinemas
of the time the building was
equipped
as a
complete theater able to host stage productions on its large stage
as well as showing films. The building was completed with a
scenery fly tower at the rear which could hoist the scenery for
stage productions and raise the cinema screen to safety away from
the stage.
The theater was also equipped with another popular feature of the
age, a Conacher 4Manual/22Rank theatre organ. Which was designed
by famous organist Reginald
Foort. Who opened
the
cinema with this organ on December the 4th and introduced the
cinemas first film "The Private Lives of Henry VIII" starring
Charles Laughton.
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Odeon Cinemas bought out the controlling interest
of County Cinemas in 1935 and became the companies sole owners
in 1939. The cinema kept its original name until 1944 when it was
re branded as an Odeon. By the 1950's the cinema had been selected
as a venue for roadshow presentations, where selected films usually
the biggest hollywood productions were presented as theatrical
events, including not only the film but an orchestral overture
and score for the intermission. Roadshow films tended to stay
exclusively at the selected theaters for long runs sometimes as
long as a year before they were widely distributed. In a town like
Nottingham which once boasted a total of 25 cinemas it was a great
honor
to be
selected
as a
roadshow theater. Hand in hand with the roadshow presentations,
new film formats
were developed
to deliver
hi fidelity
windscreen
formats. In 1958 the cinema was equipped with a pair of DP70 projectors
and a new large curved screen for an experimental run of "South
Pacific" using the AO Todd 70mm wide screen format. The successful
run only lasted for 18 weeks after which the 70mm equipment was
removed
but it lay the foundations for the cinemas future and relaunch
a few years later. The "South
Pacific"
roadshow presentation was also the last time the cinemas theater
organ was used it was removed and broken up in 1964.
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The cinema's
stage had been relatively quite since the thirties but the birth
of the
swinging sixties brought a small revival. Pop groups began
playing concerts
to crowded theatres and cinemas throughout the country. The Nottingham
Odeon played host to the Beatles on December 12 1961 while they
still didn't have a record contract. The
Rolling
Stones played two nights at the Odeon in October 1963. The
Beatles also returned in 63, playing two separate dates of
the their UK tour. On May 23 they played the same bill as Roy
Orbison and
they appeared again on December 12. This flurry of activity did
not last long and the Beatles
were to be one of the last bands to play at the Odeon. It closed
at the beginning of 1964 for
a year long
conversion
which would create the UK's first twin screen cinema.
When the cinema
reopened in July of 1965 the auditorium had been divided vertically
into two modern curtained theaters. Odeon 1 on the first floor
had been designed as a venue for roadshow presentations, it seated
an audience of 925 and was equipped with the two DP70 70mm
projectors. The auditorium was fitted with an AO Todd wide
screen which was 33' wide, 14' high and was fitted around a deep
convex curve across the front of the auditorium. Odeon 1 opened
with a run of the "Sound
of Music" which had been first released that March. Odeon
2 on the ground floor was equipped for the cinema's matinee presentations
holding
an
audience
of 1,450
with a 35mm
cinerama
screen, its first run was "Mary Poppins". The projection
equipment didn't remain in the theater for long it was replaced
by Cinemeccania Victoria X projectors in 1968 which
were capable of projecting both 70mm and 35mm films which increased
the cinema's versatility and allowing the launch of cinerama presentations
which debuted with a showing of "Ice Station Zebra" in
June 1969.
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Although the Nottingham Odeon launched multi screen
cinemas in the UK it's twin screens were able to keep pace
with the audiences demand for
choice,
and by
1971
a third
matinee
screen
Odeon 3 had
been introduced by dividing off a section of the Odeon 2 auditorium
on the ground floor. In 1976 the cinema needed to expand again
the ground
floor
was then split into three screens, Odeon 2 seating could still
seat 500 while the smaller Odeon 3 held an audience of 130 and
Odeon 4 only 110. Since the cinema first opened a basement cafe/restaurant
called the Carolia had entertained and refreshed the cinema's patrons.
At the same time as the ground floor auditorium was being divided
the Carolia was closed, donating some of its dining room space
for the
creation of the
101 seat
Odeon
5 in the basement.
A smaller
bar area
known
as the Trent Bar located in the remaining basement space replaced
the restaurant. Odeon 1 had survived intact during these renovations
and could
still regularly fill its seats, but by the 1970's
the roadshow presentation had disappeared leaving its 70mm equipment
underutilised. The last cinerama presentation shown at the cinema
was a 70mm print of "Star Wars" re released in 1978 its
huge AO todd wide screen would remain intact until
the cinema closed.
One last extension occurred in 1988 when the Trent Bar also closed
so that its remaining public areas could be converted into the
intimate 90 seat
Odeon 6.
The Odeon changed very little during its last thirteen
years, but the cinema industry had moved on. Modern
out of town multiplexes with many more smaller equipped with
surround sound in acoustically designed theaters, left the traditional
town center cinema looking very dated. The Odeon
chain passed through a number of new owners during the early
years of the millennium and many of their traditional cinemas
were closed to streamline the business, the Odeon nottingham was
one of the first to go when its curtain
closed for the final time on the 26th of January 2001, the last
theatrical presentation had been "Castaway" staring
Tom Hanks which was followed by the cinema's last film a documentary
told the story of
its historical 1964 conversion in to a twin theater.
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By the time I
visited the Odeon it had become quite famous within the UK urban
exploration scene. Not that we knew many of its claims to fame
at the time. Discussion of this neglected cinema had rattled on
for over
one hundred pages on one of the urbex forums with no one getting
any nearer to seeing the inside the neglected building. When
Nottingham was selected as the venue for one of our get togethers,
very few
of us in attendance weren't planning on an attempt at the Odeon
during the course of weekend. Sure enough as most of us enjoyed
a drink or two in the lace market Wetherspoons word reached us
that
two
of
our
members
had made
there way inside. The following morning myself and a few other
explorers decided to follow in their footsteps. As we entered the
cinema we found ourselves at the top of a of stair
which coiled downwards into the darkness, Obviously a cinema doesn't
have many windows in its auditorium so the interior of the building
as we descended from street level was enveloped in pitch blackness.
The
door we
had entered through was the old stage door at the back of the building
and after climbing down flight after flight of steps we found
ourselves at the
door way
to the
old theater stage. It was in a bad way, there were no longer any
fine boards for actors to tread and under our feet were crumbs
of concrete and plasterboard. It was hard to imagine that back
in
the sixties icons like John Lenon, Paul McCartney and Mick Jagger
had entertained screaming crowds in the ruined space around us.
The stage had
been sealed off from the auditorium when the wide cinerama screen
was installed, at the foot of the stage a curved base marked the
gentle
arc where
the screen once sat. The screen had survived in place at the
front of Odeon 2 until the cinema closed although it had been cut
down when Odeon2 was divided. With the screen gone we could now
see out into the auditorium, a vast space as gutted as I was when
I saw none of the 1,400 seats remained in place. The auditorium
had been stripped back to its bare walls with the partitions between
the later theaters gone the auditorium was back to it's full size
but it was impossible to picture the modern curtained cinema theater
it once
was. Scattered here and there a few mementos gave away the past
of this empty cellar like space, a film real lay on the floor,
the speaker horns from the 6 channel stereo system abandoned in
a pile of scrap and tucked away in a corner a box full of seat
back ashtrays that had been removed from
the cinema
seats when the Odeon voluntarily banned smoking in its theaters.
The projection suite still stood intact at the back of the auditorium
but it too
was empty now, the only sign of its projectors was the badge of
their manufactures still stuck to the wall.
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At the back of
the auditorium the center set of double doors lead us out into
the cinemas foyer,
at the rear the hallway was flanked by his and hers toilets
where there was still some space to build. As the hall approached
Angel Row the it narrowed to fit within the shop front on Angel
Row, no space was wasted and there was little room within
the hall except a for a small ticket office and popcorn stand,
very different
from the merchandise based cinemas of today. It was easy to see
why city center cinemas like the Odeon have all but disappeared.
Along the sides of the hall two sets stairs climbed upwards meeting
over head and continuing up a central stairway on to the first
floor Odeon 1. The entire hall had been stripped back as
thoroughly
as
the auditorium
there was very little left to show for the buildings long history.
Only at the very front of the hall isolated between the set of
four
locked glass doors and and the rolled down shutter on Angel Row,
the set of film poster boards were still attached to the wall.
Before heading
up the main staircase we decided to follow the remaining
sign for Odeon 6 which took us down to the forward basement
of the cinema building . When it first opened in 1933 the basement
had been home to
a
cafe/restaurant
called the Carolia which lay below the foyer and hallway, the
archive photograph of 1971 still shows its separate entrance. The
restaurant
was
laid out resembling the letter T, the stairways we were following
downward entered
the the restaurant space about half way along the upright stroke
of the T which lay below the narrow below the foyer heading towards
the rear of the building. As the restaurant approached the auditorium
space
it
widened
out into
the head of the letter T below
the rest rooms and auditorium entrance on the ground floor above.
In 1976 the head of the T was separated off to form Odeon 5. A
new
smaller
bar area had been left behind but this too was converted in to
the Odeon 6 screen in 1988. Stepping out from the stairway into
the space left behind,
neither
of
the cinema
screens survived the partition walls had been removed leaving
rubble scattered across the whole area. However to the right of
the entrance stairs behind where the false wall at the rear of
screen 6 the bar had
survived hidden away. The decor of the bar
room and style of the signs on the wall screamed out 1970's
perhaps the Trent Bar which was created out of the larger Carolia
had been treated
to
a renovation to make up for the loss of its dining room. The two
small rooms behind the bar hid an even bigger surprise below a
thick layer of dust a fantastic retro ladies powder room was still
intact.
In front of each of its oversize mirrors the marble effect formica
counters were adorned with in built ash trays for those ladies
who liked
to smoke while toping up their make up, a true reminder of a bygone
days. At the opposite end of the room another doorway led
back out and took us to a wide stairway, which had been the entrance
to
Odeon
5. It carried us back up to the ground floor opposite the back
of the main auditorium.
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We retraced our steps back through the foyer but
this time headed up the flight of stairs towards the first floor.
The stairs opened out into another small hallway like the one on
the ground floor. On either side was another set of rest rooms
for ladies and gentlemen and ahead three sets of doors led into
the auditorium.
We headed round the hall the past these doors until we came across
one of the few reminders of the building's Odeon past. Another
flight of stairs heading upwards was still covered in the Odeon
brand
carpet
although
now covered by a thick layer of pigeon droppings the upper floors
of the cinema absolutely stank. Alongside the foot of this staircase
a hole in the wall gave an
excellent
view
into the buildings framework of iron beams which divided the
auditorium in two. After seeing the under skin of the of the cinema
it was time to enter the its one time pride. Odeon 1 had been
the largest of its theaters ever since the 1960's, when it had
been decorated in accordance to modern tastes with golden curtains
draped over its
walls and wide curved screen. However just like the rest of the
building it to had been gutted the curtains were gone leaving the
plaster walls exposed and the Odeon blue carpets and velour seats
just
left the shadows on the the floor where they once stood. The
only remnant for the once grand presentation theater was the decorative
streamlining
of the plaster work ceiling, which must have looked so very modern
back in the 60's. We headed off to find the projection suite which
lay on a slightly
higher level than the auditorium's banked seating. Another flight
of stairs off the hall way lead us up though a series of empty
offices until reaching the projection suite. By now we knew the
projectors would be long gone it seems all the equipment and furniture
was sold very quickly after the cinema closed and its roomed striped
back to basics to make the building more attractive to a developer.
Just as expected the projection booth was empty all that remained
was
the
battered
master
lighting
panel on the wall.
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We had seen all of the former theaters now
and began to wind up our tour of the building our final
stops took us back to the stairways behind the stage. On either
side
a corkscrew
flight
of steps lead up and down from the stage level. We knew that the
flight on the left hand side would take us back to the stage door
so we
took the other one to discover where it would take us. Heading
upwards we eventually found ourselves at the top of the theater
fly tower, looking out over a network of cogs and sheaves from
which scenery would have hung back in the days of the stage
productions
thirty years before, and still in place up there. Heading back
down wards we continued down past the stage to discover what
lay
in the
basements at the rear. At the bottom a long corridor took us past
a series of empty and disused changing rooms and storerooms below
the stage and then finally past the the theaters boiler room before
arriving at the bottom of the second flight of stairs on the opposite
side of the stage. Above us the stage door waited to take us back
out on to the busy streets of Nottingham leaving the cinema to
the pigeons once again.
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